3-758-576 -21 (2)
Operating Instructions
TC-K615S
1994 by Sony Corporation
Chapter 1 Getting Started
Table of Contents
Features
Chapter 1 Getting Started
For higher quality recording/playback
•Dolby* HX PRO system for higher linearity in the tape’s
high-range response during recording.
•B, C and S type Dolby* NR systems which reduce tape
noise.
•Bias and recording level calibration to obtain the best
recording conditions for every tape.
•Three-head system (separate recording, playback and
erasing heads) to allow you instant monitoring of the
recorded sound during recording.
Features ..........................................................................................3
Precautions ....................................................................................4
Unpacking .....................................................................................4
Checking the supplied accessories ......................................4
Notes on installation ..............................................................4
Checking the operating voltage ...........................................4
Hooking up the system................................................................5
Before you begin.....................................................................5
Hooking up an amplifier.......................................................5
Hooking up for tape dubbing ..............................................5
Identifying the parts on the front panel ....................................6
•Quartz Locked Servo Control for greater stability and
precision in capstan rotation.
•Sapphire Capstan Base to enhance stability in motor
rotation for clear sound reproduction.
Chapter 2 Playback
Playing back ..................................................................................7
Locating a selection
•Ceramic cassette holder for improved stability of tape
running during playback and recording.
— Multi-AMS (Automatic Music Sensor) ..........................8
Locating a specific playback position — Memory Play ..........9
Memorizing and locating a specific playback position ....9
The accuracy of the linear counter .......................................9
Playing back automatically after rewinding — Auto Play...10
For your convenience
•Multi-AMS and Memory Play functions for easy access to
specific selections.
For easier operation
Chapter 3 Recording
•Easy-to-read linear counter showing the elapsed
recording or playing time.
Recording .....................................................................................10
Recording to a cassette ........................................................10
Protecting a recording .........................................................12
Adjusting the recording level .............................................12
Recording FM broadcasts with the Dolby NR system....12
Monitoring the recorded sound .........................................13
What is the Dolby HX PRO system? .................................13
Calibrating the bias current and recording level ...................14
Inserting a blank space during recording
* Dolby noise reduction and HX Pro headroom extension
manufactured under license from Dolby Laboratories Licensing
Corporation. HX Pro originated by Bang & Olufsen.
“DOLBY”, the double-D symbol a and “HX PRO” are trademarks
of Dolby Laboratories Licensing Corporation.
— Record Muting .................................................................15
Chapter 4 Additional Information
Maintenance ................................................................................16
Cleaning the heads and tape path .....................................16
Demagnetizing the heads....................................................16
Specifications ...............................................................................17
Troubleshooting guide ..............................................................18
3
Precautions
Unpacking
On safety
Checking the Supplied Accessories
•Should any solid object or liquid fall into the cabinet,
unplug the unit and have it checked by qualified personnel
before operating it any further.
•Unplug the unit from the wall outlet (mains) if it will not be
used for a long time. To disconnect the cord, pull it out by
grasping the plug. Never pull the cord itself.
•The unit is not disconnected from the AC power source
(mains) as long as it is connected to the wall outlet, even if
the unit itself has been turned off.
Make sure that the following accessories are included with
your unit.
•Audio connecting cords (2)
Notes on Installation
•AC power cord must be changed only at the qualified
service shop.
•Place the unit with the front panel facing you in a location
with adequate air circulation to prevent overheating of the
unit.
On operation
•When the unit is not used, turn the power off to conserve
energy and to extend the useful life of your unit.
•Because of a safety mechanism, the function buttons will
not operate if the cassette holder is not completely closed, if
there is no cassette in the cassette holder, or if a cassette has
been incorrectly inserted into the cassette holder.
•Do not place the unit:
— near heat sources such as radiators or air ducts.
— in places subject to direct sunlight, excessive dust,
mechanical vibration or shock.
— in an inclined position.
— on a rug or other soft surfaces that would block the
ventilation holes on the bottom of the unit.
On head cleaning
The head and tape path should be cleaned after every ten
hours of operation. Dirty heads and a dirty tape path may
cause:
— loss of high-frequency response
— loss of sound volume
Do not throw away the carton and the packing
material
They will come in handy when transporting the unit or
shipping it for servicing.
— sound drop-out
On cleaning the cabinet
Clean the cabinet, panel and controls with a soft cloth
slightly moistened with a mild detergent solution.
Do not use any type of abrasive pad, scouring powder or
solvents such as alcohol or benzine.
Checking the Operating Voltage
•Operate the unit only on 120 V AC, 60Hz (U.S.A. model) or
240 V AC, 50 Hz (U.K. and Australia models).
•Before connecting the unit to an AC (socket) outlet, be sure
that the operating voltage of your unit is identical with that
of your local power supply.
If you have any questions or problems concerning your unit,
please contact your nearest Sony dealer.
For the customers in the U.S.A.
For detailed safety precautions, see the leaflet ”IMPORTANT
SAFEGUARDS”.
4
Hooking Up the System
Before You Begin
•Turn off the power to all equipment to be connected before
making any connection.
•Note that the red plug of the supplied connecting cord is
for right-channel (R) connection and the white plug for left-
channel (L) connection.
White
Red
L
R
L
R
•The connecting cords should be fully inserted into the jacks.
A loose connection may cause hum pickup.
Hooking Up an Amplifier
Hooking Up for Tape Dubbing
Signal flow
Signal flow
LINE IN
LINE OUT
LINE IN
LINE OUT
TC-K615S
TC-K615S
to an AC (socket)
outlet
to a wall outlet
(mains)
to another
tape deck
from another
tape deck
for
recording
for
playback
Another tape deck
Amplifier
to an AC (socket)
outlet
LINE IN
LINE OUT
REC OUT
TAPE INPUT
to a wall outlet
(mains)
5
Identifying the Parts on the Front Panel
* Remote control sensor
1
2 3 4 5 6
7
8 9 !º !¡
!™
!£
REC LEVEL
MPX FILTER
ØON øOFF
5
6
4
•
dB
– –30 –20
∞
–10
–4
0
+2
+4
+6
+8
MEMORY
H
L
3
1
7
L
R
REC CAL
DOLBY NR
a
DOLBY NR
OFF
BIAS
REC LEVEL
(
REC
B
C
S
FILTER TAPE TYPE
I
I
I
I
V
SOURCE
TAPE
P
2
8
B
•
•
BALANCE
•
•
C
COUNTER
9
S
RESET
MEMORY
•
POWER
0
10
L
R
–
+
–
+
EJECT
MONITOR
CALIBRATION
HEADPHONES
PAUSE
REC MUTE
REC
§
p
0
)
P
R
r
·
0
AMS
)
!•
!¶ !§ !∞
!¢
For details, refer to the page number(s) indicated in
parentheses.
1 POWER switch
2 Peak level meter (page 12)
3 TAPE TYPE indicator
4 Linear counter (page 9)
5 MEMORY indicator
6 COUNTER buttons
RESET button (page 9)
MEMORY button (pages 9 and 10)
7 Cassette holder
8 DOLBY NR (noise reduction) switch (pages 7 and 10)
9 MPX FILTER button (page 12)
0 BIAS control (pages 14 and 15)
!¡ REC (recording) LEVEL control for calibration
(pages 14 and 15)
!™ REC (recording) LEVEL control (pages 11 and 12)
!£ BALANCE control (page 11)
!¢ HEADPHONES jack (stereo phone jack) (page 7)
!∞ CALIBRATION button (pages 14 and 15)
!§ MONITOR button (page 13)
!¶ § (EJECT) button
!• Tape operation buttons
p (stop) button
0 (rewind) (Multi-AMS**) button
· (play) button
) (fast-forward) (Multi-AMS**) button
P PAUSE button
R REC MUTE (record muting) button (page 15)
r REC (recording) button
* Remote control sensor
You can remotely control this cassette deck with:
— A remote commander that came with a Sony amplifier
or receiver if it has the g mark and cassette deck control
capability.
— An optional Sony remote commander with the g mark
and cassette deck control capability.
** AMS is an abbreviation for Automatic Music Sensor.
6
Chapter 2 Playback
Playing Back
Follow the procedure below to play back a cassette.
Specifying the tape type is unnecessary
The deck has an automatic tape type detection system.
POWER
4
3
→
ON
To begin recording during playback
While holding down the ·button, press the rbutton. The
unit immediately begins recording without stopping the
tape. This function is useful when editing previously
recorded material.
REC LEVEL
MPX FILTER
ØON øOFF
5
6
4
•
3
1
7
DOLBY NR
OFF
BIAS
REC LEVEL
2
8
B
•
•
BALANCE
•
•
C
S
COUNTER
9
RESET
MEMORY
•
POWER
0
10
–
+
–
+
L
R
EJECT
MONITOR
CALIBRATION
HEADPHONES
PAUSE
REC MUTE
REC
§
p
0
)
P
R
r
·
0
AMS )
For headphone listening
Insert the headphone plug to the HEADPHONES jack.
2
Selecting TAPE mode with the MONITOR button is
unnecessary
The unit automatically enters TAPE mode and the TAPE
indicator lights up.
1
2
Turn on the amplifier and select the tape
function.
What is the Dolby NR system?
The Dolby NR (noise reduction) system reduces tape hiss
noise in low-level, high-frequency signals by boosting the
signals during recording and lowering them during
playback.
Insert a cassette with the side to be
played facing outward.
The Dolby S NR system provides the highest reduction in
tape hiss noise in both low and high frequencies.
EJECT
MPX
ØON
DO
COUNTER
RESET
MEMORY
POWER
Note
E
§
PAUSE
REC MUTE
REC
p
0
)
P
R
r
·
The Dolby HX PRO system is effective only during
recording, not during playback.
0
AMS )
3
4
Set DOLBY NR to the same position that
was used when the cassette was
recorded.
DOLBY NR
OFF
B
C
S
Press ·to start playback.
·
To stop playback, press the pbutton.
To stop playback momentarily, press the Pbutton.
To restart playback, press the Por ·button.
To fastwind a tape rightward, press the )button in stop
mode.
To fastwind the tape leftward, press the 0button in stop
mode.
7
Locating a Selection
— Multi-AMS (Automatic Music Sensor)
Through its ability to detect the blank space between selections, the Multi-AMS
function allows you to skip up to 30 selections while fast forwarding or reversing to
the beginning of a specific selection.
Changing the indicated number of selections to be
skipped
POWER
Press the 0or )button at any time, even during Multi-
AMS operation.
→
ON
REC LEVEL
MPX FILTER
ØON øOFF
5
6
4
•
3
1
7
The Multi-AMS number may change as you are
DOLBY NR
OFF
BIAS
REC LEVEL
2
8
B
•
•
BALANCE
•
•
C
COUNTER
S
9
RESET
MEMORY
•
POWER
setting it
0
10
–
+
–
+
L
R
EJECT
MONITOR
CALIBRATION
HEADPHONES
PAUSE
REC MUTE
REC
due to the detection of blank spaces as the unit bigins to
fastwind.
§
p
0
)
P
R
r
·
0
AMS )
The Multi-AMS may fail to detect the start of a
selection in the following cases:
•If you press the )button immediately before the
selection or the 0button immediately after the start of
the selection.
•If there is noise in the space before the selection.
•If the space before the selection is less than four seconds
long.
0 )
During playback, press )or 0as many
times as the number of selections to be
skipped.
For selections after the current one: Press )
the required number of times.
For selections before the current one: Press
0the required number of times*.
* Pressing 0once locates the beginning of the
current selection.
The Multi-AMS will treat the following as blanks:
•A long pause in the music
•A passage of low frequencies or very low volume
•A gradual increase or decrease in volume
: Beginning of the selection
0[ ] 0[ ] )[ ] )[ ]
Previous
selection
Current
selection
Next
selection
•Each time the unit
detects a blank space,
the indicated Multi-
AMS number
(
decreases by one.
•The (indicator flashes during Multi-AMS operation.
•When the beginning of the specified selection is
reached, the counter indication appears again and
playback automatically restarts.
8
Locating a Specific Playback Position
— Memory Play
Returning to the memorized position while the unit
is stopped — Memory Stop
Memorizing and Locating a Specific
Playback Position
If you press only the 0button when the MEMORY
indicator is on and the unit is stopped, the tape rewinds and
then stops when the counter reaches 0.00.
Be sure that the unit is stopped before turning the Memory
Stop function on, otherwise the Multi-AMS function will
operate.
The Memory Play function allows you to use the counter to
record a specific position on a cassette for fast relocation and
automatic playback later.
To turn off the Memory Play function
Press the MEMORY button, so that the MEMORY indicator
disappears.
POWER
2 1
→
ON
REC LEVEL
MPX FILTER
ØON øOFF
5
6
4
•
3
1
7
DOLBY NR
OFF
BIAS
REC LEVEL
Note on Memory Play/Stop
The tape acutually rewinds to slightly short of 0.00.
2
8
B
•
•
BALANCE
•
•
C
COUNTER
S
9
RESET
MEMORY
•
POWER
0
10
–
+
–
+
L
R
EJECT
MONITOR
CALIBRATION
HEADPHONES
PAUSE
REC MUTE
REC
§
p
0
)
P
R
r
·
0
AMS )
Do not turn off the power while using the counter
Turning the power off, then on again resets the counter to
0.00.
3
1
2
3
Press MEMORY to turn on the Memory
Play function.
The Accuracy of the Linear Counter
RESET MEMORY
Since the counter is not a digital clock, it will differ from the
actual elapsed playback or recording time by a few minutes,
depending on such factors as tape length and hub size.
MEMORY
Press RESET to reset the counter at the
position to be memorized.
The position is memorized.
RESET MEMORY
MEMORY
While holding down ·, press 0to
return to the memorized position.
0 ·
9
Chapter 3 Recording
Playing Back Automatically
After Rewinding — Auto Play
Recording
The Auto Play function automatically starts playing back a
cassette after fastwinding it to the beginning.
Recording to a Cassette
Follow the procedure below to record a source on a cassette.
POWER
1
→
ON
POWER
REC LEVEL
MPX FILTER
5
ØON øOFF
6
4
2
5 6
•
→
3
1
7
ON
DOLBY NR
OFF
BIAS
REC LEVEL
2
8
B
•
•
BALANCE
•
•
C
COUNTER
S
9
RESET
MEMORY
•
POWER
0
10
–
+
–
+
L
R
EJECT
MONITOR
CALIBRATION
HEADPHONES
REC LEVEL
MPX FILTER
ØON øOFF
PAUSE
REC MUTE
REC
5
6
4
•
§
p
0
)
P
R
r
·
3
1
7
0
AMS )
DOLBY NR
OFF
BIAS
REC LEVEL
2
8
B
•
•
BALANCE
•
•
C
COUNTER
S
9
RESET
MEMORY
•
POWER
0
10
–
+
–
+
L
R
EJECT
MONITOR
CALIBRATION
HEADPHONES
PAUSE
REC MUTE
REC
§
p
0
)
∏
R
r
·
0
AMS )
2
1
83
1
2
Make sure the MEMORY indicator is off.
If not, press MEMORY.
1
Insert a cassette with the side to be
recorded facing outward.
(Refer to pages 14 to 15 to calibrate the bias
current and recording level if desired.)
Goes off.
EJECT
MPX
ØON
F
While holding down ·, press 0.
DOLB
O
COUNTER
RESET
MEMORY
POWER
EJE
PAUSE
REC MUTE
REC
§
§
p
0
)
P
R
r
·
0
AMS )
0 ·
2
3
4
Set DOLBY NR.
DOLBY NR
OFF
B
C
S
Press rto enter the recording pause
mode.
REC
r
Play the program source to be recorded.
10
If playback starts instead of recording when you
press r
The record-protect tab for that side has been removed. To
record on this cassette, cover the hole with plastic tape.
(See “Protecting a Recording” on page 12.)
5
6
Turn REC LEVEL to adjust the recording
level.
REC LEVEL
5
6
4
7
9
3
1
Selecting MONITOR mode is unnecessary
8
2
The unit automatically enters source mode and the SOURCE
indicator lights up. If you wish to monitor the recorded
sound, press the MONITOR button to select TAPE mode.
0
10
See “Adjusting the Recording Level” on page 12.
Checking the recording time on a tape
To check the remaining recording time on a tape:
1
2
Press the RESET button to reset the counter to 0.00.
Press the )button to advance the tape to its end. The
number on the counter shows the approximate
recording time.
Turn BALANCE to adjust the balance.
BALANCE
To check the total recording time of a tape, first rewind the
tape to its beginning, then follow the same steps as above.
(See “The Accuracy of the Linear Counter” on page 9.)
L
R
7
8
Restart the program source, if required.
Press Por ·to start recording.
PAUSE
or
P
·
To stop recording
Press the pbutton.
11
Recording
Protecting a Recording
Adjusting the Recording Level
The proper recording level, which differs according to the
tape type, is indicated on the peak level meters for each tape
type.
Adjust the REC LEVEL control as high as possible without
exceeding the recommended range for the inserted tape.
To protect a recording on side A or B
Break out the respective tab.
Side A
Peak level meter recording by tape type
Recommended maximum peak level meter readings.
Tab for
side B
Tab for side A
dB
L
–
–30 –20
∞
–10
–4
0
+2
+4
+6
+8
To record on a cassette that is protected
Cover the respective hole with tape.
R
for Type I or Type II
tape
for Type IV tape
When using Type II or Type IV cassettes
Be careful not to cover the detector slots which are
necessary for automatic tape-type detection.
Tips on recording level adjustment
Setting the recording level too low will produce a hissing
sound, while setting it too high will produce distortion.
Generally, the proper recording level for high and low
frequencies is lower than that for middle frequencies. When
recording program sources with many high and low
frequencies, set the level to a relatively low position, then
make adjustments according to the recording results.
Type IV cassette
Type II cassette
Detector slots
Detector slots
Tab
Tab
Tab
Tab
Recording FM Broadcasts With the Dolby NR
System
Cassette care
•Avoid touching the tape surface of a cassette to prevent
contamination of the heads by dirt, dust, or oil on the skin.
•Keep cassettes away from equipment with magnets, such
as speakers and amplifiers, as erasure or distortion on the
recorded tape could occur.
If your tuner does not have an MPX filter, or, if equipped,
the filter is not working effectively, set the MPX FILTER
button to ON (the FILTER indicator appears) when
recording FM broadcasts with the Dolby NR system.
The MPX filter eliminates remnants of the 19-kHz stereo
carrier and 38-kHz subcarrier signals which may impair the
operation of the Dolby NR system. Be sure to turn on the
DOLBY NR switch since the MPX filter will not function
otherwise.
•Do not expose cassettes to direct sunlight, extremely cold
temperatures or moisture.
Note on cassettes longer than 90 minutes
We do not recommend the use of cassettes longer than 90
minutes except for long continuous playback.
12
Monitoring the Recorded Sound
As this unit has three separate heads for recording, playback
and erasure, you can check the quality of a recorded sound
by comparing it with the input source signal.
To listen to the input source signal, press the MONITOR
button to turn on the SOURCE indicator.
To listen to the sound recorded on the tape, press the
MONITOR button to turn on the TAPE indicator.
Comparing the recorded sound with the sound
source
While recording, use this monitoring function to check that
there is no distortion due to excessive level settings or sound
degradation due to head contamination.
MONITOR
setting
Signal flow
REC LEVEL
Band
Recording
head
LINE IN
SOURCE
MONITOR
SOURCE
LINE OUT
TAPE
HEADPHONES
Playback head
The source signal can be monitored.
REC LEVEL
Band
LINE IN
Recording
head
SOURCE
MONITOR
TAPE
LINE OUT
TAPE
HEADPHONES
Playback head
The recorded signal can be monitored.
What Is the Dolby HX PRO System?
The Dolby HX PRO system provides precise bias control
during recording to reduce distortion and improve linearity
in the high-frequency range. The result is recorded sound
that is highly faithful to the original. Since the HX PRO
system operates only during recording, the same high-
quality sound is produced even during playback on other
tape decks. The HX PRO system is independent from the
Dolby NR system and is unaffected by the Dolby NR setting.
13
Calibrating the Bias Current and Recording
Level
Although the ATS (Automatic Tape Selection) system in
your unit sets the appropriate equalization characteristics
and bias current for each tape type, you may be able to
obtain even better results by doing the bias current and
recording level calibration function described below.
Follow the procedure below to calibrate the bias current and
recording level.
POWER
45
→
ON
BIAS
REC LEVEL
REC LEVEL
MPX FILTER
ØON øOFF
5
6
4
•
3
1
7
DOLBY NR
OFF
BIAS
REC LEVEL
2
8
B
•
•
BALANCE
•
•
C
COUNTER
S
9
RESET
MEMORY
•
POWER
0
10
–
+
–
+
L
R
EJECT
MONITOR
CALIBRATION
HEADPHONES
PAUSE
REC MUTE
REC
–
+
–
+
§
p
0
)
P
R
r
·
0
AMS
)
CALIBRATION
Adjusts the recording
level within a range
Adjusts the bias
current within a
of about ±3 dB
range of about ±20 %
1
3
2
Bias calibration
1
Insert a cassette with the side to be
recorded facing outward.
Choosing the proper bias current for a tape ensures
minimum distortion and flat frequency response. Lowering
the bias current boosts high-frequency response, but also
results in higher distortion. Raising the bias, on the other
hand, reduces distortion, but also dampens high-frequency
response. You thus obtain proper bias when the bias current
and high-frequency response are well balanced.
EJECT
MPX FILTER
ØON øOFF
DOLBY NR
OFF
BIAS
REC LEVEL
2
•
B
•
•
C
COUNTER
S
RESET
MEMORY
POWER
–
+
–
+
§
EJECT
MONITOR
CALIBRATION
PAUSE
REC MUTE
REC
§
p
0
)
P
R
r
·
0
AMS
)
BIAS
2
3
Press CALIBRATION.
Bias reduced (−)
CALIBRATION
Bias
reduced
(high-
frequency
response
boosted)
Bias
increased
(high-
frequency
response
suppressed)
–
+
Bias increased (+)
Frequency in Hz
The peak level meters for adjusting the bias and
recording level appear in the display window.
•By changing the bias, you can tailor the response to your
liking, for example by slightly emphasizing the upper or
lower end.
Press r , then P or · to turn on the
recording test tones.
•The frequency response of metal tape is much less affected
by changes in the bias current than other tape types, and in
some cases is uneffected. The adjustment range of this deck
(about ±20 %) may therefore not be wide enough to allow
adjustment for all tapes.
REC
r
PAUSE
√
or
·
P
Recording level calibration
Even when the recording level is adjusted correctly, a tape
with low sensitivity will result in a low playback level. The
REC LEVEL calibration control allows you to compensate for
sensitivity differences among tapes to equalize both
recording and playback levels. This is especially important
when using the Dolby NR system, since the system is most
effective when recording and playback levels are the same.
√
Playback level for an 8-kHz signal
H
L
REC CAL
TYPE
Playback level for a 400-Hz signal
Notes
•You cannot monitor the sound during the
calibration operation.
•It takes 2 to 3 seconds for the test tone level to
stabilize.
14
Inserting a Blank Space During
Recording
— Record Muting
The Record Muting function allows you to insert a four-
second blank between selections to enable proper Multi-
AMS operation (see page 8), or to replace unwanted
recorded material with a blank of any length.
4
Adjust BIAS until both meters indicate
equal playback levels.
A low reading on the
upper meter indicates a
high bias current.
A high reading on the
upper meter indicates
a low bias current.
POWER
2
→
ON
H
H
L
L
REC CAL
REC CAL
TYPE
TYPE
REC LEVEL
MPX FILTER
ØON øOFF
5
6
4
•
3
1
7
DOLBY NR
OFF
BIAS
REC LEVEL
2
8
B
•
•
BALANCE
•
•
C
BIAS
BIAS
COUNTER
S
9
RESET
MEMORY
•
POWER
0
10
–
+
–
+
L
R
EJECT
MONITOR
CALIBRATION
HEADPHONES
PAUSE
REC MUTE
REC
§
p
0
)
P
R
r
·
0
AMS
)
–
+
–
+
1
√
√
An equal reading on both meters indicates the
proper bias current condition.
1
2
While recording, press and release R .
REC MUTE
H
L
REC CAL
R
TYPE
REC
5
Adjust REC LEVEL for calibration until
both meters reach the recommended
level.
The REC indicator starts flashing. During this
time, no incoming signals are recorded on the
tape.
After four seconds, the P indicator lights up and
the unit enters recording pause mode.
REC LEVEL
–
+
Press P to resume recording.
√
PAUSE
Recommended level
P
H
L
REC CAL
TYPE
To create a blank longer than four seconds
Press the R button for the specified length of time. After four
seconds, the REC indicator flashes at a faster rate. When you
release the R button, the P indicator lights up and the unit
goes into recording pause mode.
The bias current is now properly adjusted and
the tape sensitivity compensation has been set.
Press p , then press CALIBRATION to turn the
calibration function off (the display returns to
normal). Rewind the tape and start the actual
recording.
Press the P button to resume recording.
15
Chapter 4 Additional Information
Maintenance
Cleaning the Heads and Tape Path
Demagnetizing the Heads
Clean all surfaces over which the tape travels after every ten
hours of operation to guard against:
— low-quality sound
After 20 to 30 hours of use, or when you notice hiss and/or
loss of high frequencies, the residual magnetism built up on
the heads should be removed.
— a decrease in sound level
— excessive wow, flutter or drop-out
— incomplete erasure
1 Turn off the power.
2 Demagnetize the heads with any commercially
available demagnetizer.
— impairment of recording function
To obtain high-quality recorded sound, we recommend
cleaning before every recording.
Refer to the instruction manual of the demagnetizer for
detailed instructions.
1 Press § to open the cassette holder.
2 With the unit turned off, wipe the heads, the
pinch roller and the capstan with a cotton swab
slightly moistened with alcohol or commercially
available cleaning fluid for tape decks.
Capstans
Recording
head
Playback head
Erasing head
Pinch rollers
§
r
R
P
)
0
·
p
Do not insert a cassette until the cleaned areas are
completely dry.
16
Specifications
Recording system
Fast winding time
4-track 2-channel stereo
Approx. 90 sec. (with Sony C-60
cassette)
General
Power requirements Model for U.S.A.:
120 V AC, 60 Hz
Bias
AC bias
Model for the United Kingdom and
Heads
Erasing head × 1 (F&F head)
Recording head × 1 (SD head)
Playback head × 1 (SD head)
Capstan motor × 1 (DC servo motor)
Reel motor × 1 (DC motor)
Australia:
240 V AC, 50 Hz
Power consumption 23 W
Motors
Dimensions
Approx. 430 × 123 × 310 mm (w/h/d)
(17 × 47/8 × 121/4 inches)
including projecting parts and
controls
Signal-to-noise ratio (at peak level and weighted)
Mass
Approx. 4.3 kg (9 lbs 8 oz)
Cassette
(Dolby NR off)
Type IV
61 dB
Type II
59 dB
Type I
57 dB
Supplied accessories
Audio connecting cords (2)
S/N ratio improvement (approximate values)
With Dolby B NR on : 5 dB at 1 kHz; 10 dB at 5 kHz
With Dolby C NR on : 15 dB at 500 Hz; 20 dB at 1 kHz
With Dolby S NR on : 10 dB at 100 Hz; 24 dB at 1 kHz
Optional accessory
Wireless remote commander RM-J701
Design and specifications are subject to change without
notice.
Harmonic distortion 0.4% (with Type I, 160 nWb/m,
315 Hz, 3rd H.D.)
1.5% (with Type IV, 250 nWb/m,
315 Hz, 3rd H.D.)
Frequency response (Dolby NR off)
20 - 20,000 Hz (±3 dB, IEC)
Type IV cassette
20 - 16,000 Hz [±3 dB (−4dB
recording)]
Type II cassette
Type I cassette
20 - 18,000 Hz (±3 dB, IEC)
20 - 17,000 Hz (±3 dB, IEC)
Type IV : Sony Type IV (METAL)
Type II : Sony Type II (HIGH)
Type I : Sony Type I (NORMAL)
Wow and flutter
±0.065% W.Peak (IEC)
0.045% W.RMS (NAB)
±0.12% W.Peak (DIN)
Inputs
Line inputs
(phono jacks)
Sensitivity
Input impedance 47 k ohms
0.16 V
Outputs
0.5 V at a load
impedance of
47 k ohms
Line outputs
(phono jacks)
Rated output
level
Load
impedance
Over 10 k ohms
Headphones
(stereo phone jack)
1 mW at a load
impedance of
32 ohms
Output level
17
Troubleshooting Guide
The following trouble checks will help you correct the most
common problems encountered with your tape deck.
Should any problems persist after you have made these
checks, consult your nearest Sony dealer.
Before proceeding with these trouble checks, verify that:
•The power cord is firmly connected.
•The amplifier connections are firmly made.
•The heads, capstan and pinch roller are clean.
•The amplifier controls and switches are correctly set.
Function Buttons and Tape Transport Problems
Symptom
Cause
The cassette holder is not fully closed.
Remedy
The function buttons do not work.
Close the holder completely.
Insert the cassette correctly.
The cassette is not properly inserted.
You press the button immediately after
turning on the power.
Wait until the P indicator stops
flashing.
The r button does not work.
There is no cassette in the holder.
Insert a cassette.
The record-protect tab has been
removed from the cassette.
Cover the hole with tape (page 12).
The automatic shut-off mechanism
operates before the end of the tape.
The tape is slack.
Take up the tape slack.
Use another cassette.
The cassette shell is deformed.
The Memory Play function is on.
Press the MEMORY button to turn off
the function.
Excessively loud tape transport noise
during fast winding.
This noise is caused by the cassette
and is not a mechanical problem.
—
18
Recording and Playback Problems
Symptom
Cause
Remedy
Recording or playback cannot be made
or there is a decrease in sound level.
The heads are either dirty or
magnetized.
Clean or demagnetize the heads
(page 16).
Improper connection.
Make connections properly (page 5).
Improper setting of the amplifier
controls.
Set the amplifier controls to the
appropriate positions.
Excessive wow, flutter or drop-out.
Incomplete erasure.
The head, capstan or pinch roller is
dirty.
Clean in accordance with instructions
on page 16.
The erasing head is dirty.
The heads are magnetized.
Clean the erasing head (page 16).
Demagnetize the heads (page 16).
Increased noise or poor reproduction
in high frequencies.
Unbalanced tone in high frequencies.
Improper setting of the DOLBY NR
switch.
During playing back, set the switch to
the same position used in recording.
The unit is placed near a television set.
Move the unit away from the
television set.
The specified selection cannot be
located even when Multi-AMS is on.
There is noise in the space before the
selection.
The space before the selection is less
than four seconds long.
Rerecord the tape if you can, and
insert a blank space of four seconds
before the selection using the R button
(page 15).
The ) ( or 0 ) button was pressed
immediately before the beginning of
the following selection.
—
Playback begins in the middle of the
selection when Multi-AMS is on.
The selection contains one of the
following:
While the tape is playing, press the
) or 0 button again.
— a long pause
— a passage of low frequencies or very
low volume
— a gradual increase or decrease in
volume.
Noise
Symptom
Cause
Remedy
Hum noise.
The unit is stacked on or under the
amplifier.
Separate the unit.
Noise is recorded.
The recording was made near
equipment such as a television set or a
color monitor, and interference has
affected the recording on the tape and
the Dolby NR system.
Move the unit away from the
television set or color monitor.
19
Sony Corporation Printed in Japan
|